December 12, 2020, Teatro Regio di Parma, famous Italian tenor Andrea Bocelli performed an exclusive worldwide livestream concert, which ended up being the most successful online ticketed classical events of all times, selling to over 120 countries worldwide.
2021 Academy Award Nominated Documentary Short Film COLETTE, directed by Anthony Giacchino and produced by Alice Doyard, Annie Small and Aaron Matthews, masterfully tells us the story of Colette Marin-Catherine, a former member of the French Resistance who, 75 years after, and encouraged by a history student named Lucie, visits the concentration camp where the Nazis killed her brother.
In cinemas worldwide from October 2 to 6, 2019 “Roger Waters Us + Them”, a film by Sean Evans and Roger Waters - concert visuals and live actions production by Grasshopper Films. Roger Waters is an English rock musician, singer-songwriter, and composer. He is best known as the bass player, co-lead vocalist, lyricist and the principal songwriter in the rock band Pink Floyd (https://rogerwaters.com/)
Cinematographer Brett Turnbull (http://brett-turnbull.com/) photographed Roger Waters’ concert in Amsterdam at the Ziggodrome during the “Us and Them” tour on June 19, 2018, as well as all the other scenes of the film. Brett Turnbull has an incredible experience in filmmaking : music videos, drama, documentaries, but also multicamera live events, mainly concerts: Beyoncé, The Rolling Stones, Madonna, Coldplay, U2, Bruno Mars, Taylor Swift, Paul Mc Cartney, Iggy Pop, The Who, Rihanna, Ed Sheeran, Justin Timberlake, Adele, Peter Gabriel, David Gilmour, Radiohead, Nick Cave, The White Stripes, One Direction, Queen , Pet Shop Boys, Kings of Leon, Bjork, Noel Gallagher, Shakira, Kylie Minogue, Tom Petty…
Angenieux zoom lenses have always been “a staple choice” for his work all along his career.
We had the privilege to get his feedback on Roger Waters’ concert shooting.
“Overall technical requirements for live event productions vary greatly for this kind of work. Typically we'll be shooting with anywhere between 6 to 24 cameras, depending on the scale & ambition of the show. Combining a variety of grip solutions, from traditional cranes & dollies, to specialist robotic & aerial systems. One constant factor is always the need for versatile, fast, high quality zoom lenses. Filming any live event with a paying audience, the director and cinematographer do not have the freedom to put cameras wherever they want, or move them at will during the performance. So every camera position needs to offer a variety of shot sizes, often in low light."